World Music Day: singing the global church

Concerts and performances in 350 cities worldwide next Monday, will mark World Music Day (Fete de la Musique). Held June 21st each year, the festival aims to enhance the scope and diversity of all musical genres with an invitation to free and spontaneous music making. It encourages performance in non-traditional performance spaces such as museums, corporate foyers and public transport facilities, and is a non-profit enterprise.

The Global Church
Many congregations work intentionally to acknowledge their commitment to the global community through music and song. It is a powerful reminder that while our faith communities exist in a local area, they are part of an extensive network. Indeed, the irony of World Music Day is that the principles of participation, non-profit, musical diversity and spontaneity  and inclusivity are, or a least should, be the aspiration of all faith communties. Where these values are espoused, people of varying skill and expereince gather together in an spirit of generosity and goodwill, to make provision for and engage in participatory music in their faith community.


Music of the Global Church
If you'd like to recognise your community's connection to the global church, there are many music resources available. Here is just a sample:
Songs from World Council of Churches 9th Assembly (Brazil)
Global Worship Music
Freedom is Coming
For Everyone Born
Global Praise Music
Wild Goose Publications

Using Current Resources
Alternatively a leaf through any hymnbook will turn up songs of diverse origin. The key is to present these songs not as though they have western roots, but to recognise the song's origins principally by instrument choice. In other words, if you are sing a chant from Ghana, strong vocal leadership with rhythmic accompaniment on drum is preferable to a pipe organ!

In Your Community
Which songs of other lands do you sing?
How do you accompany them?
Are the songs you sing reflected by all the nationalities in your community?
Let me know how you enagage with the global church in your place.

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How's the singing at your place?

Community singing is counter-cultural. For most people occasions for such an undertaking can be recorded on a three fingers: "happy birthday to you", national anthems, and football team songs if we are lucky enough to enjoy a victory.

Just 40 years ago community singing was a common source of entertainment at the pub, around the pianola, in the car or school bus, around the campfire, and even in church meetings. These days it is something of a spectator sport.

One wonderful memory I have is of a time my family travelled to Europe in 1980. We were in Wales, and the sun was setting, when a dozen miners walked past our campervan on their way home, singing in four-part harmony at the top of their lungs. Gorgeous.

These days singing, and perhaps music generally, is regarded as a specialist activity to be undertaken only by those with sufficently attractive voice or instrumental proficiency. It is a state not helped by the rise of television shows such as "Australia's Got Talent' and Australian Idol', which invariably invite viewers to pass judgement on another's ability. The church, and perhaps the primary school and kindergarten, are the last remaining bastions of community singing.

In my childhood, I remember the singing in church to have been fantastic, with people, often the men, adding harmony parts to the mix. In many cultures this is still the case.

And yet, harmony parts aside, the confidence of the faith community's sung voice is also less enthusiastic than it might be. I believe this is largely because of a lack of confidence.

Do the people in your faith community sing with enthusiasm? Is there a performance culture, or are all assured of a welcome in the corporate song? How are people welcomed into the song? How is the singing at your place?

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