Showing posts with label songleaders. Show all posts
Showing posts with label songleaders. Show all posts

Wednesday, June 15, 2011

Songmakers: short course for songleaders

Songmakers is a four week course for beginner and experienced songleaders. It's a practical and interactive course I ran many years back when I was employed by the Uniting Church, and I reckon its time to offer it again.

If you think there's interest in such a thing in your area, have a look-see at the details and then get the ball rolling by making contact.

Tuesday, October 26, 2010

10 Key Selection Criteria for Church Musicians

In employment circles these days, applicants for jobs are required to address what is known as Key Selection Criteria (KSC).

Consider the role of church musician. It may not be one that enjoys any financial reward, and yet there are a group of skills that can ensure the musical life in faith communities is neither elitist, exclusive or stagnant.

Here's my KSC for church musicians. What would yours be?

1. Team player with a big picture perspective.
2. Willing to sit out and let others play.
3. Prepared to practice individually.
4.Committed to rehearsing with others.
5. Willing to learn new material.
6. Prepared to attend workshops and share newfound knowledge.
7. Commitmed to developing positive relationships with people other than musicians.
8. Able and willing to accommodate wide variety of music styles.
9. Able to discern musical skills in others which contrast with their own, and encourage them to get involved.
10. Observant, with big ears and thick skin!

What have I forgotten?
Please add your own KSC to this list.

Thursday, July 22, 2010

a cappella sunday

Imagine your faith community singing in four part harmony, without any instrumental accompaniment. Sound impossible? Don't you believe it - I've seen it work well. Engaging your community in harmony singing for an entire worship service is worth the effort, and not as difficult as you might think.

Preparation
1. Enlist the help of others who are keen to promote the idea and get involved.
2. Organise a short rehearsal for the community after worship the week before your planned A Cappella Sunday, and have your helpful others encourage people to get involved. Be sure to emphasise you are not forming a 'choir'. A Cappella Sunday is about encouraging the whole community's sung voice.
3. Select songs (see note below)

Selecting Songs
A Cappella Sunday is not about using fully-fledged four part (SATB) hymns or anthems. This notion will not only ensure a focus on 'experts', but will fail to involve the whole gathering.On A Cappella Sundays I have tried to ensure accessibility by including one of each of the following:
- a round (canon)
- a short 3 or 4 part chant
- an echo song
- an old hymn in pentatonic tonality that can be sung in canon
- a familiar song in which people may invent their own invented harmonies.

Setup and Seating
Arrange your seats in a circular formation if you can, with soprano, alto, tenor and bass parts to be seated in section facing the centre. Have those who attended the rehearsal sit in the second and third rows, so that those who are less familiar with the songs are sitting in front of them, in amongst the action and not on the outer. This also means they will be 'hit in the back of the neck' with their vocal part.

On the Day
Ask rehearsers to arrive a little earlier so they can be seated in the appropriate seats. Enlist help from several people who can greet at the door and assist decisions about where to sit. Ask them whether they have a high or low voice, rather than use the terms soprano, alto, tenor and bass. Consider walking them to their seat so they don't feel too exposed.

The Songleader
The songleader plays an important role, bringing in each section as required, and perhaps running a teaching time prior to the beginning of worship. The circular formation enhances the feeling of community - we are all involved, and no-one is really up-the-front. It also assist the songleader in communicating with the whole community. For tips about intoriducing new songs see How to teach a Song in 4 Steps.

Give it a go, and let me know what you sang.

Resources for A Cappella Sunday
Use pentatonic hymns and songs like Were you there, Be thou my vision, Kum by Yah, Standing in the need of prayer, which all invite people to make their own harmonies. Delve into the vast resources available including the following publications: 
There is One Among Us
Many and Great
We walk his way

Thursday, May 20, 2010

8 Top Tips for Getting Blokes to Sing

Getting men in your faith community singing can be challenging. Unless a strong singing culture already exists, and a decent number of blokes are present, men often feel their voice is too exposed, and resist singing with anything like great gusto.

Some years back, in my own congregation, the collective voice of men became so reticent, despite their significant number, that I set about trying to identify the problems. After listening to what they had to say, the 8 Top Tips for Getting Blokes to Sing emerged quite effortlessly.

Getting the voice of men going is an ongoing adventure. However, one delightful observation has been that on the week "Blokes Vocals" lead the singing in my congregation, the eyes of the boys shine as they too attempt to lift the roof.

1. Use male song leaders
Chances are your male musicians are not leading the singing, but contribute on piano, guitar, bass or drums, with a female offering the vocal lead. What this can often mean is that men in the congregation perceive the song is "too high" because the songleader is singing an octave above.

2. Check the pitch of your songs
It has to be said, many of our community songs are too high. It seems to be an area often neglected by music publishers. I suspect the key of most songs is chosen because of its accessibility for instruments, or that it sits comfortably for the individual who wrote it. As a rule of thumb, I consider any song exceeding a high D, or E flat at the most, to be prohibitive. Many will even find that D too difficult to handle, especially first thing in the morning.

3. Include songs with male imagery
Consider the text of some of the songs we sing, and you'll understand why they confront the masculine. To use an oldie as an example, "If I were a butterfly" is a phrase no self-respecting 16 year-old man will add his voice to. Just as we have become conscious about using feminine images in worship, so too should we ensure there is music that resonates with men and boys.

4. Use bass instruments in your band
 If your instrumental combination is top-heavy with treble instruments, men may feel unsupported. Try doubling the bass on piano or keyboard, or using other bass instruments.

5. Encourage blokes to sit together
For reasons similar to tip 4, men fell particularly exposed when surrounded by treble singers - this may include their partner and children. If you can devise ways of bunching blokes together, it will bolster confidence and participation.

6. Flush out their favourites
Find out which songs the men in your congregation like. The revelations can help ensure there is at least one winner each time. It may also help to inform new song choices.

7. Get the guys together
In my faith community, a few years back. we decided to get a bunch of guys together to lead the singing one Mother's Day. I enlisted one of our male keyboard players to run the rehearsal, beacause I wanted it to be a men's thing. His main fear was that the outcome would be akin to a footy team singing the club song at the end of the game. Sure, the results are unlikley to be top-notch, but the positives are many.

Whenever our "Blokes Vocals" lead the singing the corporate voice is as uplifting as I have ever experienced. Everyone sings their heart out, with a grin on their face. People regularly report how uplifting iot was, and report shivers down the back of their neck. Yes, it IS that good. "Blokes Vocals" is often enlisted to introduce new songs, as it ensures on the occasions they sing within the community, they will offer a strong lead.

8. Use songs with men/boy's parts
This is one way of getting men and boys linked in to each other's voices. Sing songs with a women/girls part and a men/boys part. Any two-part thing will do. Have a leader for each part up front, and observe the results. If you get a boy to lead the part, most men will make a second effort.  In a standard community song, it is also great to have females sing a verse, and males to sing another.

I'd love to hear what you have tried and tested in your faith community.


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Why don't the Children sing?
Virtual Music Barriers